"The Clown Spirit – The Traveling Exhibition"
Opening March 19, 2025, at 21 Gallery, Treviso, Italy

An invitation to step into the realm of the clown, where humour and introspection collide. "The Clown Spirit" returns for another compelling chapter at 21 Gallery, Treviso, opening March 19, 2025. Curated by Joanna De Vos, this traveling exhibition continues its journey. From Antwerp to Namur, Rome to Treviso, and soon Athens and Belgrade, "The Clown Spirit" continues its journey accompanied by new voices, visions, and interpretations along the way.

Inspired by family history related to the circus, Joanna De Vos embraced this world of wonder as a theme. Fascinated by modern masterpieces influenced by the circus, and building on close connections with contemporary artists, the desire arose to invite artists to create a self-portrait as a clown. An invitation that was answered with enthusiasm and excitement.

The exhibition showcases a striking collection of self-portraits as a clown by 100 contemporary artists, each piece offering a deeply personal exploration of the clown’s duality—comedic and tragic, subversive and sincere, both performer and outsider. Through drawing, painting, photography and mixed media, these artists confront their own reflections, play with identity and transcend stereotypes.

“Many artists have at least some affinity with the existence of the clown. The melancholic artist, the serious clown, the comical artist, the tragic clown, the idiotic artist, the subversive clown, the comforting artist, they all have the gift to transcend life. The artist/clown is both a mask and a mirror, an enigma and insight.” – Joanna De Vos

Since its inception, "The Clown Spirit" has captivated audiences, first debuting at De Rossaert in Antwerp (2020–2021) before becoming part of the larger citywide exhibition "The Circus We Are", with "The Clown Spirit" showcased at the Belgian Gallery in Namur (2022). In 2023, it arrived at Galleria Mucciaccia, Rome, enchanting visitors with its thought-provoking take on the clown’s role in contemporary society. Now, as it reaches 21Gallery, Treviso, the exhibition continues to evolve, welcoming fresh artistic voices and new interpretations. Following Treviso, "The Clown Spirit" will travel to Athens in 2025 and Belgrade in 2026, furthering its exploration of humour and vulnerability on an international stage.

For centuries, the clown has occupied a paradoxical space in society—both beloved and feared, evoking laughter and unease in equal measure. From the auguste clown to the tragic mime, from the absurd to the philosophical, the clown embodies the contradictions of the human experience. As both a performer and a symbol, the artist/clown becomes a canvas onto which various meanings are projected, existing in a state of constant transformation, both modest and exalted in their extremes.

This exhibition explores the power of de-individuation—how clowns, through oversized costumes and exaggerated makeup, shed personal identity to become something both transcendent, yet deeply human. Visitors step into a space where laughter becomes a tool for resonant thought, and the enduring figure of the clown serves as both an archetype and a disruption.

At its core, "The Clown Spirit" is a multifaceted exploration of personal expression and collective experience. This contradiction between self and spectacle, humour and introspection, fiction and reality form the exhibition’s driving force. The artist/clown(s) invites us into their world, encouraging reflection and ultimately offering a mirror through which we see ourselves—and the artists—anew.

Participating artists:

Marina Abramović, Hugo Alonso, Homa Arkani, Uldus Bakhtiozina, Fred Bervoets, Guillaume Bijl, Elke Andreas Boon, Muhiba Botan, Oona Bovri, Carlos Caballero, Paolo Canevari, Jacques Charlier, Izumi Chiaraluce, Marco Circhirillo, Ilke Cop, Giulia Cotterli, Michael Dans, Laura de Coninck, Peter de Cupere, Samuel De Maré, Francesco "DEMO" De Molfetta, Wim Delvoye, Robert Devriendt, Sidi El Karchi, Manfred Erjautz, Dodi Espinosa, Che Go Eun, Inci Eviner, Jan Fabre, Mike Figgis, Flexboj & L.A., Michael Fliri, Sasha Frolova, Kendell Geers, Maya Gold, Oda Jaune, Fermín Jiménez Landa, Marie-Jo Lafontaine, Mous Lamrabat, Sigalit Landau, Tom Liekens, William Ludwig Lutgens, Arnaud Maere, Kris Martin, Enrique Marty, Fabien Mérelle, Messieurs Delmotte, Elena Minyeyevtseva, Pieter Laurens Mol, Jorge Molder, Mothmeister, Sofie Muller, Johan Muyle, Eleni Mylonas, Nadia Naveau, Katie O'Hagan, Florence Obrecht & Axel Pahlavi, Hans Op de Beeck, ORLAN, Ria Pacquée, Javier Pérez, Petrovsky & Ramone, Antonis Pittas, Viktor Popov, Anastasia Potemkina, Matteo Pugliese, Daniele Puppi, Anna Raimondo, Gabriel Roca, Antoine Roegiers, Maria Roosen, Julião Sarmento †, Carmen Schabracq, Rob Scholte, Danilo Sciorilli, Andreas Senoner, Raoul Servais †, Saye Sohrabi, Nedko Solakov, Giuseppe Stampone, Berend Strik, Elly Strik, Koen Theys, Filippos Tsitsopoulos, Hans van Houwelingen, Jan Van Imschoot, Yves Velter, Paolo Ventura, Nils Verkaeren, Fabien Verschaere, Henk Visch, Vadim Vosters, Andy Wauman, Santiago Ydáñez, Kyvèli Zoi, Mary Zygouri

Curated by Joanna De Vos

New Works | Mosaics represents three years of dedicated work and showcases mosaics organized into four thematic groups:
I am Blood, The Fountain of the World, Carnival, and Feast of Little Friends. Each series is an exploration of perspective, an interplay between the tangible mosaic and the transcendent concept it embodies. A new book accompanies the exhibition, published by FORMA, with authors including Edwin Becker, Joanna De Vos, Giacinto Di Pietrantonio, Yuko Hasegawa, Katerina Koskina, and Dimitri Ozerkov.

Elaborating on the ancient craft of mosaic making, Fabre re-envisions his archival drawings and watercolours through this time-honored medium. His reexamination of Feast of Little Friends, a series he made in his early 20s, extends beyond nostalgia, embraces experimentation and reaffirms the enduring relevance of traditional art in the modern era.

Fabre's work engages deeply with the carnivalesque, weaving together themes of mortality and reality. His pieces echo the celebratory and the macabre, a nod to Belgian cultural festivities, encased in opulence and framed with a critical eye. Through this lens, Fabre probes societal masks and satirizes historical pretenses, crafting a dialogue that resonates with the satirical works of Félicien Rops and others.

In the micromosaic domain, Fabre's intricate labor mirrors the precision of horology, marrying luxury with artistic worship and showcasing the sacredness of minutiae. Fabre's mastery of symbolism shines in his mosaics, where royal and spiritual undertones meet, adorned with 24-carat gold. He takes inspiration from medieval to Christological narratives, offering contemporary meditations on age-old concepts like power, vulnerability, and transformation. His work becomes a modern vessel for the profound tales and emblems of bygone eras, simultaneously capturing the essence of the past and pressing into the future.

The Fountain of the World presented on the first-floor revisits Fabre’s own 1979 drawings, reflecting on performance, art, and the fluidity of life, challenging conventional views and inviting audiences to reconsider the body's role in art and expression. Fabre further establishes a discourse, through subtle references, with a number of artists, and artworks, throughout art history, including with Marcel Duchamp's Fountain, Gustave Courbet’s The Origin of the World, Nicolas Restif de la Bretonne, the Marquis de Sade, and Luis Buñuel.

This exhibition not only showcases Jan Fabre's profound engagement with artistic disciplines but also his ability to spur contemplation and redefine the boundaries of art. Wilde invites viewers to delve into the rich tapestry of Jan Fabre's mosaics and find themselves at the confluence of heritage and transformation.

From May 24 until July 20 Galleria Mucciaccia will host ‘The Clown Spirit – The Traveling Exhibition’.

Inspired by family history related to the circus, curator Joanna De Vos embraced this world of wonder as a theme. Fascinated by modern masterpieces influenced by the circus, and building on close connections with contemporary artists, the desire arose to invite artists to create a self-portrait as a clown. An invitation that was answered with enthusiasm and excitement through the countries and the generations.

Many artists have at least some affinity with the existence of the clown. The melancholic artist - the serious clown, the comical artist - the tragic clown, the idiotic artist - the subversive clown, the comforting artist, … They all have the gift to transcend life. To make their fellow humans see, feel or think differently.

The clown/artist gives tragic life a comical face, and vice versa. The artist/clown is a clone and a canvas for various symbols. In their own extremes, the artist/clowns are both modest and elated.

That contradiction forms the energy flowing through ‘The Clown Spirit’ – an exhibition that came into existence as a direct consequence of the overflowing response of artists to the question to create self-portraits as a clown.

The artist, like the jester and the clown, keeps a finger on the pulse of humanity and society. Someone who can be permitted to play with truths and fictions and manages to expose the mechanisms of life - the circus of life. The artist positions himself as a catalyst of wonder and freedom, a symbol that invites us to reflect on the circus around us, and to get moving. As a wandering mind grasping at wonders and worlds.

‘The Clown Spirit’ shows the ongoing series of contemporary self-portraits as a clown at Galleria Mucciaccia in Rome, opening on May 24th 2023, 6.30pm and closing on June 24th 2023.

It was previously shown at:

• De Rossaert, Ronny Van de Velde Gallery, Antwerp (16.10.2020 - 31.01.2021)
• Belgian Gallery, Namur as part of ‘The Circus We Are’ exhibition on several locations in the city (13.04.2022 – 25.10.2022)

Participating artists:

Marina Abramović , Hugo Alonso, Homa Arkani, Uldus Bakhtiozina, Fred Bervoets, Guillaume Bijl, Elke Andreas Boon, Muhiba Botan, Oona Bovri, Carlos Caballero, Paolo Canevari, Jacques Charlier, Izumi Chiaraluce, Giulia Cotterli, Michael Dans, Laura de Coninck, Peter de Cupere, Samuel De Maré, Wim Delvoye, Robert Devriendt, Jorik Dzobava, Sidi El Karchi, Manfred Erjautz, Dodi Espinosa, Che Go Eun, Inci Eviner, Jan Fabre, Mike Figgis, Flexboj & L.A., Michael Fliri, Sasha Frolova, Kendell Geers, Maya Gold, Oda Jaune, Pieter Jennes, Fermin Jimenez Landa, Marie-Jo Lafontaine, Mous Lamrabat, Sigalit Landau, Tom Liekens, William Ludwig Lutgens, Fernando Marques Penteado, Enrique Marty, Fabien Mérelle, Messieurs Delmotte, Elena Minyeyevtseva, Pieter Laurens Mol, Jorge Molder, Mothmeister , Sofie Muller, Johan Muyle, Eleni Mylonas, Maryam Najd, Nadia Naveau, Florence Obrecht & Axel Pahlavi, Katie O'Hagan, Hans Op de Beeck, ORLAN, Petrovsky & Ramone, Antonis Pittas, Viktor Popov, Anastasia Potemkina, Daniele Puppi, Anna Raimondo, Gabriel Roca, Julião Sarmento, Rob Scholte, Raoul Servais, Danilo Sciorilli, Nedko Solakov, Giuseppe Stampone, Berend Strik, Elly Strik, Koen Theys, Filippos Tsitsopoulos, Jan Van Imschoot, Yves Velter, Nils Verkaeren, Fabien Verschaere, Vadim Vosters, Andy Wauman, Santiago Ydañez, Mary Zygouri

a cocurated project
by Joanna De Vos and Melania Rossi

An encounter between works by Italian and Belgian artists, in two different paths but united by a single, intriguing, interpretation:  "nose for art"

“ Everything is first perceived by the nose, everything is within the nose, the world is the nose.”

— Excerpted from Italo Calvino’s The Name, The Nose

From Saturday March 25th, Palazzo Merulana, in synergy with Fondazione Elena and Claudio Cerasi and CoopCulture, invites its visitors to the exhibition “Nasi per l’arte", conceived and curated by Joanna De Vos and Melania Rossi. Until May 21 st, a selection of more than 50 works will connect Italian and Belgian art in an original, playful, unexpected way, according to an unusual fil rouge: the nose!

“Nasi per l’arte” is not just about "noses as shapes or sense of smell". Instead, it wants to stimulate a reflection on the metaphorical meaning that this organ, the first to develop in the womb, a hereditary and identity trait that represents the primal instinct. A metaphor for “having a nose”, for an immediate approach to things, “sensing” them even before seeing them.

The nose is synonymous with one of our five senses, the most animal and instinctive,  one which can determine attraction or repulsion.  There is a deep relation between nose and remembrance. The sense of smell triggers thoughts and evokes memories - even involuntarily. This is the so-called Proust Effect.

In years of collaborations, curators De Vos and Rossi, Belgian and Italian respectively, have been engaged in analyzing how Italians and Belgians share a "nose for art" on an aesthetic and conceptual level, and how artists follow their "nose," like also passionate collectors or experts curators of exhibitions  in other respects.

“Nasi per l’arte was born from the encounter between two curatorial noses - explain the two curators - Curators are creators but they create by mixing sources and voices, often including their own. We look for connections that others might not see immediately, embrace the unusual, and explore the unexpected. We found unexpected similarities and specific differences, which we want to reveal in this exhibition. Although diverse, Italy and Belgium are culturally similar in their instinctive approach and ability to be ironical (“lead by the nose”), to improvise (“follow one’s nose”), and always ready to be in the game.

the two exhibition PATHS

First of all, the exhibition proposes juxtapositions between Italian and Belgian art of early 20th century through the connection between the Cerasi Collection, permanently at Palazzo Merulana, in particular with pictorial and sculptural works from the 1920s to the 1940s, and a selection of Belgian works from the same period, lent by Belgian private collectors and some institutions.

Artists such as René Magritte, Léon Spilliaert, Paul Joostens, Constant Permeke will dialogue with Giorgio De Chirico, Francesco Trombadori, Antonio Donghi, Antonietta Raphael…

The exhibition project is in harmony with Elena and Claudio Cerasi collection. Put together over the years with a real passion for art, the collection is not abided to strict rules; indeed, it sometimes revalues lesser-known artists of the past or displays rare works by famous masters in dialogue with contemporary authors.

A nonlinear approach, where instinct and nose have always been the driving force, perfectly in tune with “Nasi per l’arte” project.

The second path choice in the exhibition involves nine contemporary Belgian and as many Italian artists, whose works celebrate, challenge, and invite reflection on the nose, senses and art. From Peter De Cupere's "Olfactory self-portrait" (one of his famous scratch & sniff painting), to Maurizio Cattelan's untitled self-portrait, who in his "Unauthorized Autobiography," writes: "When I was a newborn, they were very disappointed. I already had an adult nose”.
And also drawings, paintings, sculptures, sculptural, reanimated cinema, video works, photographs, artworks that revive tradition and mythology or inquire into the human condition… spreading their fragrances into the halls of the precious Palazzo Merulana.

ARTISTS IN EXHIBIT

 Contemporary artists:

Francis Alÿs, Francesco Arena, Michaël Borremans, Maurizio Cattelan, Michael Dans, Laura de Coninck, Peter de Cupere, Jan Fabre, Mariana Ferratto, Thomas Lerooy, Emiliano Maggi, Sofie Muller, Luigi Ontani, Daniele Puppi,  Anna Raimondo, Marta Roberti, Yves Velter, Serena Vestrucci.

Lent works by Belgian artists of early 20^th century:

Jos Albert, Pierre-Louis Flouquet, Robert Giron, Oscar Jespers, Paul Joostens, René Magritte, George Minne, Constant Permeke, Léon Spilliaert, Marcel Stobbaerts, Henri Van Straten, Fernand Wery.

In dialogue with artists already in the collection:

Giacomo Balla, Duilio Cambellotti, Felice Casorati, Giorgio de Chirico, Antonio Donghi, Ercole Drei, Riccardo Francalancia, Guglielmo Janni, Leoncillo Leonardi, Arturo Martini, Fausto Pirandello, Antonietta Raphael, Francesco Trombadori, Alberto Ziveri

The exhibition is documented by a catalog, published by Bruno Devos at Stockmans Art Books with texts by Joanna De Vos and Melania Rossi, Giacinto Di Pietrantonio, and Caro Verbeek.

Details of the exhibition:
Curated by Joanna De Vos
Dates: 13 May – 25 September 2022
Several locations in Namur: Le Delta, Musée Félicien Rops, Musée des Arts Anciens, Belgian Gallery

From a family history related to the circus, I chose this world of wonder as a theme. Fascinated by modern masterpieces inspired on circus, and building on close connections with contemporary artists, the desire arose to invite artists to create a self-portrait as a clown. A question that was answered with enthusiasm and excitement through the countries and the generations.

As my family’s legacy resonates in the heartbeat of this exhibition, I have the ambition to embark on a journey with the artists that invites pleasure, reflection, reverie and wonder. As acrobats of the imagination, the artists, each from their own unique universe, tempt us to a certain agility of mind, to discover new perspectives and to see clearly the spectacle of life and the world. Art and circus: they both play a connecting role that should not be underestimated and they have the power to collectively reveal the essence of humanity. Let's unite - Right here! right now! – around the acrobats of imagination. We Are the Circus. The Circus We Are. (fragment of the curatorial text by Joanna De Vos)

About ‘The Clown Spirit’:
Many artists have at least some affinity with the existence of the clown. The melancholic artist, the serious clown, the comical artist, the tragic clown, the idiotic artist, the subversive clown, the comforting artist, … They all have the gift to transcend life. To make their fellow humans see, feel, or think differently. The clown/artist gives tragic life a comical face, and vice versa. The artist/clown is a clone and a canvas for various symbols. In their own extremes, the artist/clowns are both modest and elated.

That contradiction forms the energy flowing through ‘The Clown Spirit’ at Belgian Gallery – an exhibition that came into existence as a direct consequence of the overflowing response of artists to the invitation to create self-portraits as a clown. ‘The Clown Spirit’ shows the ongoing series of contemporary self-portraits as a clown. It was previously exhibited at De Rossaert in Antwerp, a space owned by Ronny Van de Velde Gallery, between October 2020 and January 2021.

Participating artists at Le Delta:
Carlos Aires, Homa Arkani, Uldus Bakhtiozina, Dodi Espinosa, Kendell Geers, Marie-Jo Lafontaine, Taus Makhacheva, Enrique Marty, Fabien Mérelle, Johan Muyle, Erwin Olaf, Hans Op de Beeck, Femmy Otten, Daniele Puppi, Santiago Ydañez, Mary Zygouri

Participating artists at Musée Félicien Rops:
Carlos Aires, Oda Jaune & Dariy Danovsky, Marie-Jo Lafontaine, Edward Lipski, Enrique Marty, Messieurs Delmotte, Axel Pahlavi & Florence Obrecht

Participating artists at Belgian Gallery:
Marina Abramović, Hugo Alonso, Homa Arkani, Uldus Bakhtiozina, Fred Bervoets, Guillaume Bijl, Elke-Andreas Boon, Muhiba Botan, Oona Bovri, Carlos Caballero, Paolo Canevari, Jacques Charlier, Michael Dans, Samuel De Maré, Wim Delvoye, Peter Depelchin, Robert Devriendt, Jorik Dzobava, Sidi El Karchi, Manfred Erjautz, Dodi Espinosa, Che Go Eun, Inci Eviner, Jan Fabre, Mike Figgis, Flexboj & L.A., Michael Fliri, Sasha Frolova, Kendell Geers, Maya Gold, Oda Jaune, Pieter Jennes, Fermín Jiménez Landa, Marie-Jo Lafontaine, Mous Lamrabat, Sigalit Landau, Tom Liekens, William Ludwig Lutgens, Fernando Marques Penteado, Kris Martin, Enrique Marty, Fabien Mérelle, Messieurs Delmotte, Elena Minyeyevtseva, Pieter Laurens Mol, Jorge Molder, Mothmeister, Sofie Muller, Johan Muyle, Eleni Mylonas, Maryam Najd, Nadia Naveau, Katie O’Hagan, ORLAN, Ria Pacquée, Javier Pérez, Petrovksy & Ramone, Antonis Pittas, Viktor Popov, Anastasia Potemkina, Daniele Puppi, Gabriel Roca, Antoine Roegiers, Julião Sarmento, Rob Scholte, Raoul Servais, Nedko Solakov, Berend Strik, Elly Strik, Koen Theys, Rosemarie Trockel, Filippos Tsitsopoulos, Jan Van Imschoot, Yves Velter, Nils Verkaeren, Fabien Verschaere, Henk Visch, Vadim Vosters, Andy Wauman, Santiago Ydañez, Mary Zygouri

Thirst... the impulse of a basic human need (drinking) but also: the desire, the passionate, unstoppable pull towards something… beyond the graspable. The itching, twisting, turning desire to create runs through the artist's veins. A single twist in this electric, vital feeling can be a spark to new arteries in their visionary mind. For the artist, acting on this pulse comes as naturally and desperately as breathing. The thirst is what drives them, makes them walk, dance, twist, jump, run, ride, flow, fly... The thirst thrives on the rhythm of the blood, the beat of the heart, the dance of passionate creation.

The three selected artists float on the thirst for creating, they bring a new twist to art: Oona Bovri, Nick Ervinck, Homa Arkani.

Visit the exhibition until 31 December 2021 on www.campariredpassion.be

From a playful imagination, a family history related to the circus, and close connections with contemporary artists, the desire erupted to bring the clown and the artist together in ‘The Clown Spirit’.

Many artists have at least some affinity with the existence of the clown. The melancholic artist, the serious clown, the comical artist, the tragic clown, the idiotic artist, the subversive clown, the comforting artist, … They all have the gift to transcend life. To make their fellow humans see, feel, or think differently. The clown/artist gives tragic life a comical face, and vice versa.

The artist/clown is a clone and a canvas of various symbols. In their own extremes, the artist/clown is both modest and elated. That contradiction forms the energy flowing through ‘The Clown Spirit’.

‘The Clown Spirit’ shows contemporary artworks at De Rossaert in Antwerp, a space owned by Ronny Van de Velde Gallery, between 16 October and 31 January 2021. The heartbeat of the exhibition is due to the especially created self-portraits of many artists: Marina Abramović, Hugo Alonso, Homa Arkani, Uldus Bakhtiozina, Fred Bervoets, Guillaume Bijl, Christian Boltanski, Elke Andreas Boon, Muhiba Botan, Oona Bovri, Carlos Caballero, Paolo Canevari, Jacques Charlier, Samuel De Maré, Wim Delvoye, Peter Depelchin, Robert Devriendt, Jorik Dzobava, Sidi El Karchi, Manfred Erjautz, Dodi Espinosa, Che Go Eun, Jan Fabre, Flexboj & L.A., Michael Fliri, Sasha Frolova, Kendell Geers, Oda Jaune, Pieter Jennes, Fermín Jiménez Landa, Marie-Jo Lafontaine, Mous Lamrabat, Sigalit Landau, William Ludwig Lutgens, Fernando Marques Penteado, Kris Martin, Enrique Marty, Fabien Mérelle, Messieurs Delmotte, Elena Minyeyevtseva, Pieter Laurens Mol, Jorge Molder, Mothmeister, Sofie Muller, Johan Muyle, Maryam Najd, Nadia Naveau, Katie O’Hagan, Hans Op de Beeck, ORLAN, Ria Pacquée, Javier Pérez, Petrovksy & Ramone, Antonis Pittas, Viktor Popov, Daniele Puppi, Antoine Roegiers, Julião Sarmento, Rob Scholte, Raoul Servais, Nedko Solakov, Berend Strik, Elly Strik, Koen Theys, Rosemarie Trockel, Jan Van Imschoot, Yves Velter, Nils Verkaeren, Fabien Verschaere, Henk Visch, Vadim Vosters, Andy Wauman, Santiago Ydañez.

A classical and modern take on the theme will be on view simultaneously at Ronny Van de Velde Gallery in Knokke. The two parts of the exhibition can be experienced separate from one another, but are also a perfect addition and contextualization of each other.

‘The Clown Spirit’ is a prelude to a large-scale exhibition for the city of Namur where the theme of the circus will be celebrated on several locations (such as Musée Félicien Rops, The Delta, and others – opening May 2021). This exhibition will be an instantaneous, spontaneous activation of the acrobatics of the spirit and the body. The concept will be created by Ronny and Jessy Van de Velde, and myself.

Joanna De Vos, spring 2020.

Solo exhibition of the Russian artist Sasha Frolova

An open-air installation on the occasion of the 58th Venice Biennale

For The Sensation of the Sea, guest curator Joanna De Vos has invited several international artists to engage in a dialogue with The Mesdag Collection. These contemporary artists are captivated by the grandeur and tempestuousness of the ocean. The attraction of the sea is an inexhaustible source of inspiration for them, a ‘battery for the imagination’.

Odes to the performance In Search of the Miraculous by the Dutch artist Bas Jan Ader form the exhibition’s connecting thread. Ader disappeared in 1975 as he attempted to sail across the Atlantic. His soul became one with the untameable power of the sea. The tributes to Ader’s artistic practice highlight the enticement and mystery of the ocean.

Participating artists:
Nelly Agassi, Ruben Bellinkx, Ansuya Blom, Elke Andreas Boon, Dirk Braeckman, Stijn Cole, Thierry De Cordier, Wim Delvoye, Jan Dibbets, Jan Fabre, Nan Goldin, David Horvitz, Oda Jaune, Sigalit Landau, Enrique Marty, Fabien Mérelle, Johan Muyle, Katie O’Hagan, Ahmet Ögüt, Hans Op de Beeck, Mikes Poppe, Enrique Ramirez, Lonnie Van Brummelen, Hans Van Houwelingen, Yves Velter, Bill Viola, Jorinde Voigt, Julius Von Bismarck, Andy Wauman.

Locations include Duomo di Monreale and Valle Dei Templi Agrigento
Curators: Joanna De Vos & Melania Rossi

A raft is a means of transport, a means to save lives, a place of isolation, reflection, doubt, insight and encounter. It symbolizes a voyage with a set destination or an adventurous quest without such destination. As a symbol, a raft is susceptible to a variety of interpretations. Call it also a metaphor for the ecstasy art has to offer.

The second edition of the Ostend Triennale takes its starting point in Théodore Géricault Radeau de la Méduse (1818-1819) and Jan Fabre’s Art Is (Not) Lonely (1986). Against the panorama of the North Sea and across the fabric of the city, 73 artists share their creations. Their works are often characterized by dualism, though quiet seclusion and social involvement are equally important.

The dramaturgy of the exhibition is anchored in the concept of crossing borders. Several artists are also active in the world of film, theatre and performance. Existing work and 52 new creations are on view at more than twenty familiar or unexpected places. Furthermore, over fifteen artists will present a unique performance.

Organisation
De zee vzw (non-profit organisation)

Mu.ZEE and several other locations in Ostend.
www.hetvlot-oostende.be

Curators: Joanna De Vos & Jan Fabre

International group exhibition of modern artistry as a 'legacy' of knightly ideals.

‘The Artist/Knight’ is a tribute to the poetic figure of chivalry who gallops out of the mists of romance. The tragic-heroic warrior who falls and rises again, who conquers, rescues, defends, protects, seeks and meets expectations in the sight of his visor.

'The Artist/Knight' defines the knight as conceived in the mind, body and limbs of the contemporary artist. A number of works by modern artists (including Lovis Corinth, James Ensor and Lucio Fontana) reflect the historic embedding of the theme. Chess games, never exhibited before in Belgium, by e.g. Tracey Emin, Damien Hirst and Yoko Ono, embody the progressiveness of the artist/knight: the will for movement and change, the genesis of a different vision on the world.

With work by Marina Abramović, Uldus Bakhtiozina, Horia Damian, Robert Devriendt, Davide Dormino, Jan Fabre, Laurent Grasso, Phil Griffin, Oda Jaune, Kubra Khademi, Meiro Koizumi, Pere Llobera, Kris Martin, Jonathan Meese, Fabien Mérelle, Benjamin Moravec, Eleni Mylonas, Luigi Ontani, Antonis Pittas, Quiet Ensemble, Gabriel Roca, Rob Scholte, Adeela Suleman, Hannelore Van Dijck, Hans Van Houwelingen, Marko Velk, Antonello Viola, voorforvaastfanclub and Andy Wauman.

'The Artist/Knight' book by Hannibal Publishing is available from July 11

Gaasbeek Castle, Kasteelstraat 40, 1750 Lennik (Gaasbeek), +32 (0)2 531 01 30 
www.kasteelvangaasbeek.be 

For more information please contact Marieke Debeuckelaere, +32 (0)2 531 01 45 or 
[email protected]

Piazza della Signoria, Palazzo Vecchio
Forte di Belvedere

Curators: Joanna De Vos & Melania Rossi

Spiritual Guards was listed as number 3 in the top 10 art exhibitions 2016, ARTRIBUNE

Spiritual Guards and its followers : Palazzo Vecchio: 254.000 visitors, Piazza della Signoria: 4.350.000 and Forte di Belvedere: 176.225 visitors

musefirenze.it/en/mostre/janfabre/